Organ Donation Essay -- Ethical Issues, Presumed Consent

At least 10 people die every day, while waiting for a major organ for example, heart, lungs or kidneys’, the reason being they is a massive shortage of organs across Europe, with the transplant waiting list growing, they is need for radical measures to be taken. The author of this easy will define what organ donation is, however the aims of the essay is to compare and contrast the two systems of organ donation, the opt- in and opt- out systems. The focus of the essay is on cadaveric donors,( heart beating donors and non- heart beating donors). The author will also go on to explore their personal views on organ donations, from before and after researching the topic and then reflect on how those views may have changed. Organ donation is defined as the donation of a biological tissue or organ of the human body, from a living or deceased person to a living recipient in need of a transplant. The removal of the organs is carried out in accordance with The Human Tissue Act (2004) who â€Å"regulate the removal, storage, use and disposal of the human bodies, tissues and organs†, (DOH ,2004).Organ donation is a complex issue, one which involves factors such as ethics, legal, organisational and societal factors. Much of the debate surrounding organ donation is the issue of consent /autonomy and trying to find ways to increase the number of potential organ donors. Do we choose to preserve the rights of the dead or those of people who are in pain? Across Europe they are two systems in practice, namely presumed consent (opt-out system) and informed consent (opt- in system).Although the two systems are different in practice, there main objective is the same, to increase the number of potential donors, which in turn would red... ...and discuss the issues. This might lead to organ donors to be viewed as the norm rather than the exception. With opt- in system an organ is an altruistic act, gift that I agree with Professor John Saunders royal college of physicians’ ethical issues in medicine who is advocating for a â€Å"mandated choice â€Å"that is a legally-mandated decision, where all adults are required by law to indicate their wishes about their organs after death. I believe that if a person wants to be an organ donor they should make the effort to make their wishes known by taking the necessary steps in registering. With regards to both systems I see no point for their existence if your family can override your decision. In conclusion this essay looked at the organ donation systems practiced across Europe the opt- in and opt -out systems, and how they affect the rates of organ donation.

Abraham Lincoln Essay -- essays research papers

Abraham Lincoln Abraham Lincoln has been depicted as a very gifted orator and noble leader of our country. He is often compared with Shakespeare, due to his ability to say amazingly profound words. He is a very important symbol of our country’s history. Lincoln definitely led an interesting life. Abraham Lincoln was born on February 12, 1809 in a log cabin in Hardin (now Larue) County, Kentucky. This was near Hodgenville, Kentucky. His mother’s name was Nancy Hanks Lincoln; his father’s name was Thomas Lincoln. Abraham was named after his father’s father. He had an older sister named Sarah, and he had a younger brother named Thomas, but he died in infancy. Abraham Lincoln was once described by his cousin Dennis Hanks as,"...he'll never come to much, fur I'll tell you he wuz the puniest, cryin'est little youngster I ever saw." Abraham’s parents were part of a Baptist congregation. Abraham went to school every once in a while at a log schoolhouse two miles from his farm. Abraham then moved to Indiana due to troubles with land claims. When Abe was 9 years old, his mother died of â€Å"milk sickness† which was a disease that was acquired by drinking the milk of a cow that grazed on poisonous white snakeroot. His father Thomas then rema rried a woman named Sara Bush Johnston. She didn’t think that Abe had enough schooling, so she sent him to school a lot more. Abraham Lincoln enjoyed reading much more than the usual working on the farm. This is where he got most of his knowledge. In the 1830’s, the Lincolns moved to Illinois where Abraham lived until 1837. In Illinois, he worked as a postmaster, a storekeeper, and he served in the Black Hawk War in 1832. His physical features are the most famous qualities of Abraham Lincoln. At his full height, he was 6 feet and 4 inches and was about 180 pounds. This made him very tall and stocky. Lincoln is often depicted as a very hunched over man, since he is so tall. Lincoln decided that he wanted to run for legislature in Illinois. However, he lost his first election. In 1834 he was a Whig and was at last elected to the legislature and served four terms. During this time period, Abraham kept on reading, and eventually went to study the law. In 1837 he moved to Springfield, Illinois. He became a lawyer, and met his future wife. Mary Todd was from Kentucky and had moved to Springfield to live with her married siste... ...ck voting rights, which outraged many citizens, especially an actor named John Wilkes Booth. On Good Friday, April 14, 1865, Abraham Lincoln and his wife went to go see a play (â€Å"Our American Cousin†) at Ford’s Theatre. During the performance, John Wilkes Booth sneaked into the President’s balcony, and shot him in the head at about 10:15 PM. Lincoln was carried to the Peterson House across the street. He laid in a bed not long enough for him, stripped of his clothes, while physicians tried to remove blood clots which formed over the bullet wound. This relieved the pressure on his brain and allowed it to continue functioning and allowing respiration to take place. He internally and externally had hemorrhaging until 7:22 the next morning when he passed away. He was 56 years old when he died. Secretary of War Edwin M. Stanton immediately said, â€Å"Now he belongs to the ages.† There was a very long funeral procession, in which thousands of people lined the track along the way to Illinois on April 21st. Lincoln was buried in Springfield Illinois on May 4th, 1865. This was the first assassination in presidential history. Therefore it was a very important yet sad time in American history.

Christian family Essay

The authors of several books are celebrated for the different artistic works that they produce. In their real lives, not it is everything can however be celebrated. This is because some have undergone a hard time throughout their lives. Some have gone to the extent of committing suicide so as to end the problems in their lives. Sylvia Plath and Emily Dickenson are good examples of authors who have faced a hard life and who used their writing works to express their feelings. They have undergone through a hell of life by losing their parents and enduring the extramarital affairs of their husbands as well as degenerative diseases in their late life. Further, they have manifested some similarity in their early lives because they were all brought up in a Christian family. They also had a desire to learn, an aspect that made them achievers in developing artworks. Plath and Dickenson had very tragic and troubled lives. To start with, Dickenson was born during the month of December 1830 in Amherst community. She was the second daughter of Edward Dickenson. Throughout her life, her mother was not accessible emotionally and this absence caused Dickenson to depict some eccentricity. Being born in a Christian tradition, she was forced to espouse her father’s religious beliefs without any argument. These are some of the things that came to be challenges in Dickenson’s late life as is evident through her poetry. Her family was very popular in Amherst with her father being a lawyer who made that family to enjoy immense popularity and excitement. Dickenson did not enjoy this; instead, she withdrew (Paul). When her father realized that she had a problem with his Christian religion he began to censor the books that she was reading because of their potential of drawing her away from faith. In her early life, she was silent and shy; she used to depreciate in the presence of strangers. Dickenson was very successful in college but after her life in seminary in 1848, she began her life of seclusion. The culmination of these problems made her life miserable. To add to her tragic life, she was never married although she had significant relationships which did not however work out. She lived in a private society and she could refuse to see certain people who paid her a visit. It may sound very sad that by the time she was twenty years, she had no extended exposure to the world which was outside her home. She started authoring her poetry as a way of expressing how her life was and how she hated some of her friends and family pressures. It was so unfortunate that Dickenson’s late life was full of mourning because of several deaths that occurred during a time frame of a few years. Her father died in 1874, her brother died in 1878, her mother died in 1882, and her nephew in 1883 (Burt 110). Due to these deaths, her speculations for poetry started to come to a halt in 1884 whereby she suffered her first attack of one of her terminal illnesses such as hypertension. The whole of 1885, she was bedridden and on May 1886 she took her last breath. She lived in solitude and had a very boring life that was full of tragedies and problems. On the other hand, Plath had several problems which made her life miserable. To start with, she was born during the time of The Great Depression when the nation was being faced with severe economic problems. Secondly, when she was only eight years old her father died from complications following a foot amputation due to untreated diabetes. This event introduced a lot of pain in Plath’s life because her father had refused any treatment because his friend had died. It impacted negatively in her life because she lost her Christian values that her father had instilled in her. She enrolled at Smith College – a place where she broke her leg when she was skiing. She had a great desire to learn and she had so many trophies because of her art in poetry when she was eight years only. Her leg made her to lose confidence in herself and her life in general. This made her to make her first suicide attempt when she took an overdose of sleeping pills after she crawled under her house. After this incident, she was taken to a mental institution where she received treatment. To add to her problems, during her marriage, her husband – Hughes – had an affair with Plath’s best friend, Assia Wevill. She had earlier experienced an accident which many people belief was another suicide attempt. Plath was faced with many problems which resulted to depression and finally, she committed suicide, thus killing herself together with her two children in an inferno of gas which she lit. This was the same way through which that her friend – Assia – had committed suicide earlier. We can thus argue that Plath’s life was full of tragic incidences which made her to think of killing herself. Plath and Dickenson were authors of poems and novels and in their work they used their real life details as the raw materials. Before Dickenson died, she had written over 2000 poems. Most of her poetic work was discovered by her sister in a bag after her death. Further, a great deal of her poetic work reflected most of the tragedies that she had passed through. For example, Most of her poems talk about death – which is a major aspect that made her life miserable by taking her loved ones. To illustrate, in the â€Å"Because I could not stop death† poetry, Plath personifies death as a gentleman. In the first line, she states that since she was not in a position to stop death, it will kindly stop her, meaning that she was preparing to meet her death. There are various themes that she explored through the poems. To start with, she used love as a theme. She employed this concept to explain the situation that she was in because she was never married. Secondly, despair was another theme that she used in her poems. One can argue that she did this to express the despair that she had faced in her tragic life. Her poems – which she wrote while she was in the seminary – show her tendencies in her academic years. The prominent themes include the hard time that she faced trying to maintain close family ties, her preference for solitude over society, her intellectual curiosity, and her hesitation to accept Christianity in a manner that her family and friends wanted On the other hand, Plath described her tragic life indirectly in her poems and books. She used her life details as the raw materials for her art work. After the death of her father, Plath was a frequent caller at her father’s grave and this prompted her to write â€Å"Electra on Azalea Path,† which is a poem that described the memorable moments of her father’s life (Horvath 61). Conversely, Plath pointed out her idea of committing suicide through her various poetic works. She wrote a book named â€Å"The Bell Jar,† which is a semi-autographical work describing her entire life. She used the â€Å"Fig Tree† as an analogy; a ripe fruit represented her intended future. She also used a woman who is ready to â€Å"Learn German† but is haunted by her past. This shows that Plath did not like her past and the only way to show this was by putting it through poems and books In conclusion, the lives of these two authors were full of similar tragedies. They were both rebellious to the Christian religion and to the efforts of their friends and family in forcing them into it. They have used poetry to describe the lives that they have lived and the injustices that they have faced in their entire lives. They died being heroes of poetry even though they were not aware. In their poetic work, these two women were similar in the fact that they used examples of repressed women who have been able to write their work in poetry and other writings. This was despite the fact that the society did not give a chance for women to do so. Both have manifested themselves as people who are not destroyed by the repression of the male-dominated society. The main difference between them is the time in which they started to write. Dickenson started writing after her twenties whereas Plath started when she was very young. Works Cited Burt, Daniel S. The Biography Book: A Reader’s Guide to Nonfiction, Fictional, And Film Biographies of More Than 500 of the Most Fascinating Individuals of All Time. Santa Barbara, CA: Greenwood Publishing Group, 2001. Horvath, Rita. Never Asking Why Build – Only Asking Which Tools†: Confessional Poetry And The Construction Of The Self. Andrea Pok, Hungary: Akademiai Kiado, 2005. Paul. C. Emily Dickinson’s Life. July 23, 2010. .

The Da Vinci Code Chapter 7-9

CHAPTER 7 The modest dwelling within the Church of Saint-Sulpice was located on the second floor of the church itself, to the left of the choir balcony. A two-room suite with a stone floor and minimal furnishings, it had been home to Sister Sandrine Bieil for over a decade. The nearby convent washer formal residence, if anyone asked, but she preferred the quiet of the church and had made herself quite comfortable upstairs with a bed, phone, and hot plate. As the church's conservatrice d'affaires, Sister Sandrine was responsible for overseeing all nonreligious aspects of church operations – general maintenance, hiring support staff and guides, securing the building after hours, and ordering supplies like communion wine and wafers. Tonight, asleep in her small bed, she awoke to the shrill of her telephone. Tiredly, she lifted the receiver. â€Å"Soeur Sandrine. Eglise Saint-Sulpice.† â€Å"Hello, Sister,† the man said in French. Sister Sandrine sat up. What time is it? Although she recognized her boss's voice, in fifteen years she had never been awoken by him. The abbe was a deeply pious man who went home to bed immediately after mass. â€Å"I apologize if I have awoken you, Sister,† the abbe said, his own voice sounding groggy and on edge. â€Å"I have a favor to ask of you. I just received a call from an influential American bishop. Perhaps you know him? Manuel Aringarosa?† â€Å"The head of Opus Dei?† Of course I know of him.Who in the Church doesn't? Aringarosa's conservative prelature had grown powerful in recent years. Their ascension to grace was jump-started in 1982 when Pope John Paul II unexpectedly elevated them to a† personal prelature of the Pope,† officially sanctioning all of their practices. Suspiciously, Opus Dei's elevation occurred the same year the wealthy sect allegedly had transferred almost one billion dollars into the Vatican's Institute for Religious Works – commonly known as the Vatican Bank – bailing it out of an embarrassing bankruptcy. In a second maneuver that raised eyebrows, the Pope placed the founder of Opus Dei on the† fast track† for sainthood, accelerating an often century-long waiting period for canonization to a mere twenty years. Sister Sandrine could not help but feel that Opus Dei's good standing in Rome was suspect, but one did not argue with the Holy See. â€Å"Bishop Aringarosa called to ask me a favor,† the abbe told her, his voice nervous. â€Å"One of his numeraries is in Paris tonight†¦Ã¢â‚¬  As Sister Sandrine listened to the odd request, she felt a deepening confusion. â€Å"I'm sorry, you say this visiting Opus Dei numerary cannot wait until morning?† â€Å"I'm afraid not. His plane leaves very early. He has always dreamed of seeing Saint-Sulpice.† â€Å"But the church is far more interesting by day. The sun's rays through the oculus, the graduated shadows on the gnomon, this is what makes Saint-Sulpice unique.† â€Å"Sister, I agree, and yet I would consider it a personal favor if you could let him in tonight. He can be there at†¦ say one o'clock? That's in twenty minutes.† Sister Sandrine frowned. â€Å"Of course. It would be my pleasure.† The abbe thanked her and hung up. Puzzled, Sister Sandrine remained a moment in the warmth of her bed, trying to shake off the cobwebs of sleep. Her sixty-year-old body did not awake as fast as it used to, although tonight's phone call had certainly roused her senses. Opus Dei had always made her uneasy. Beyond the prelature's adherence to the arcane ritual of corporal mortification, their views on women were medieval at best. She had been shocked to learn that female numeraries were forced to clean the men's residence halls for no pay while the men were at mass; women slept on hardwood floors, while the men had straw mats; and women were forced to endure additional requirements of corporal mortification†¦ all as added penance for original sin. It seemed Eve's bite from the apple of knowledge was a debt women were doomed to pay for eternity. Sadly, while most of the Catholic Church was gradually moving in the right direction with respect to women's rights, Opus Dei threatened to reverse the progress. Even so, Sister Sandrine had her orders. Swinging her legs off the bed, she stood slowly, chilled by the cold stone on the soles of her bare feet. As the chill rose through her flesh, she felt an unexpected apprehension. Women's intuition? A follower of God, Sister Sandrine had learned to find peace in the calming voices of her own soul. Tonight, however, those voices were as silent as the empty church around her. CHAPTER 8 Langdon couldn't tear his eyes from the glowing purple text scrawled across the parquet floor. Jacques Sauniere's final communication seemed as unlikely a departing message as any Langdon could imagine. The message read: 13-3-2-21-1-1-8-5 O, Draconian devil! Oh, lame saint! Although Langdon had not the slightest idea what it meant, he did understand Fache's instinct that the pentacle had something to do with devil worship. O, Draconian devil! Sauniere had left a literal reference to the devil. Equally as bizarre was the series of numbers. â€Å"Part of it looks like a numeric cipher.† â€Å"Yes,† Fache said. â€Å"Our cryptographers are already working on it. We believe these numbers maybe the key to who killed him. Maybe a telephone exchange or some kind of social identification. Do the numbers have any symbolic meaning to you?† Langdon looked again at the digits, sensing it would take him hours to extract any symbolic meaning. If Sauniere had even intended any.To Langdon, the numbers looked totally random. He was accustomed to symbolic progressions that made some semblance of sense, but everything here – the pentacle, the text, the numbers – seemed disparate at the most fundamental level. â€Å"You alleged earlier,† Fache said,† that Sauniere's actions here were all in an effort to send some sort of message†¦ goddess worship or something in that vein? How does this message fit in?† Langdon knew the question was rhetorical. This bizarre communique obviously did not fit Langdon's scenario of goddess worship at all. O, Draconian devil? Oh, lame saint? Fache said, â€Å"This text appears to be an accusation of some sort. Wouldn't you agree?† Langdon tried to imagine the curator's final minutes trapped alone in the Grand Gallery, knowing he was about to die. It seemed logical. â€Å"An accusation against his murderer makes sense, I suppose.† â€Å"My job, of course, is to put a name to that person. Let me ask you this, Mr. Langdon. To your eye, beyond the numbers, what about this message is most strange?† Most strange? A dying man had barricaded himself in the gallery, drawn a pentacle on himself, and scrawled a mysterious accusation on the floor. What about the scenario wasn't strange? â€Å"The word ‘Draconian'?† he ventured, offering the first thing that came to mind. Langdon was fairly certain that a reference to Draco – the ruthless seventh-century B. C. politician – was an unlikely dying thought. † ‘Draconian devil' seems an odd choice of vocabulary.† â€Å"Draconian?† Fache's tone came with a tinge of impatience now. â€Å"Sauniere's choice of vocabulary hardly seems the primary issue here.† Langdon wasn't sure what issue Fache had in mind, but he was starting to suspect that Draco and Fache would have gotten along well. â€Å"Sauniere was a Frenchman,† Fache said flatly. â€Å"He lived in Paris. And yet he chose to write this message†¦Ã¢â‚¬  â€Å"In English,† Langdon said, now realizing the captain's meaning. Fache nodded. â€Å"Precisement.Any idea why?† Langdon knew Sauniere spoke impeccable English, and yet the reason he had chosen English as the language in which to write his final words escaped Langdon. He shrugged. Fache motioned back to the pentacle on Sauniere's abdomen. â€Å"Nothing to do with devil worship? Are you still certain?† Langdon was certain of nothing anymore. â€Å"The symbology and text don't seem to coincide. I'm sorry I can't be of more help.† â€Å"Perhaps this will clarify.† Fache backed away from the body and raised the black light again, letting the beam spread out in a wider angle. â€Å"And now?† To Langdon's amazement, a rudimentary circle glowed around the curator's body. Sauniere had apparently lay down and swung the pen around himself in several long arcs, essentially inscribing himself inside a circle. In a flash, the meaning became clear. â€Å"The Vitruvian Man,†Langdon gasped. Sauniere had created a life-sized replica of Leonardo Da Vinci's most famous sketch. Considered the most anatomically correct drawing of its day, Da Vinci's The Vitruvian Man had become a modern-day icon of culture, appearing on posters, mouse pads, and T-shirts around the world. The celebrated sketch consisted of a perfect circle in which was inscribed a nude male†¦ his arms and legs outstretched in a naked spread eagle. Da Vinci.Langdon felt a shiver of amazement. The clarity of Sauniere's intentions could not be denied. In his final moments of life, the curator had stripped off his clothing and arranged his body in a clear image of Leonardo Da Vinci's VitruvianMan. The circle had been the missing critical element. A feminine symbol of protection, the circle around the naked man's body completed Da Vinci's intended message – male and female harmony. The question now, though, was why Sauniere would imitate a famous drawing. â€Å"Mr. Langdon,† Fache said,† certainly a man like yourself is aware that Leonardo Da Vinci had a tendency toward the darker arts.† Langdon was surprised by Fache's knowledge of Da Vinci, and it certainly went a long way toward explaining the captain's suspicions about devil worship. Da Vinci had always been an awkward subject for historians, especially in the Christian tradition. Despite the visionary's genius, he was a flamboyant homosexual and worshipper of Nature's divine order, both of which placed him in a perpetual state of sin against God. Moreover, the artist's eerie eccentricities projected an admittedly demonic aura: Da Vinci exhumed corpses to study human anatomy; he kept mysterious journals in illegible reverse handwriting; he believed he possessed the alchemic power to turn lead into gold and even cheat God by creating an elixir to postpone death; and his inventions included horrific, never-before-imagined weapons of war and torture. Misunderstanding breeds distrust, Langdon thought. Even Da Vinci's enormous output of breathtaking Christian art only furthered the artist's reputation for spiritual hypocrisy. Accepting hundreds of lucrative Vatican commissions, Da Vinci painted Christian themes not as an expression of his own beliefs but rather as a commercial venture – a means of funding a lavish lifestyle. Unfortunately, Da Vinci was a prankster who often amused himself by quietly gnawing at the hand that fed him. He incorporated in many of his Christian paintings hidden symbolism that was anything but Christian – tributes to his own beliefs and a subtle thumbing of his nose at the Church. Langdon had even given a lecture once at the National Gallery in London entitled:† The Secret Life of Leonardo: Pagan Symbolism in Christian Art.† â€Å"I understand your concerns,† Langdon now said, â€Å"but Da Vinci never really practiced any dark arts. He was an exceptionally spiritual man, albeit one in constant conflict with the Church.† As Langdon said this, an odd thought popped into his mind. He glanced down at the message on the floor again. O, Draconian devil! Oh, lame saint! â€Å"Yes?† Fache said. Langdon weighed his words carefully. â€Å"I was just thinking that Sauniere shared a lot of spiritual ideologies with Da Vinci, including a concern over the Church's elimination of the sacred feminine from modern religion. Maybe, by imitating a famous Da Vinci drawing, Sauniere was simply echoing some of their shared frustrations with the modern Church's demonization of the goddess.† Fache's eyes hardened. â€Å"You think Sauniere is calling the Church a lame saint and a Draconian devil?† Langdon had to admit it seemed far-fetched, and yet the pentacle seemed to endorse the idea on some level. â€Å"All I am saying is that Mr. Sauniere dedicated his life to studying the history of the goddess, and nothing has done more to erase that history than the Catholic Church. It seems reasonable that Sauniere might have chosen to express his disappointment in his final good-bye.† â€Å"Disappointment?† Fache demanded, sounding hostile now. â€Å"This message sounds more enragedthan disappointed, wouldn't you say?† Langdon was reaching the end of his patience. â€Å"Captain, you asked for my instincts as to what Sauniere is trying to say here, and that's what I'm giving you.† â€Å"That this is an indictment of the Church?† Fache's jaw tightened as he spoke through clenched teeth. â€Å"Mr. Langdon, I have seen a lot of death in my work, and let me tell you something. When a man is murdered by another man, I do not believe his final thoughts are to write an obscure spiritual statement that no one will understand. I believe he is thinking of one thing only.† Fache's whispery voice sliced the air. â€Å"La vengeance.I believe Sauniere wrote this note to tell us who killed him.† Langdon stared. â€Å"But that makes no sense whatsoever.† â€Å"No?† â€Å"No,† he fired back, tired and frustrated. â€Å"You told me Sauniere was attacked in his office by someone he had apparently invited in.† â€Å"Yes.† â€Å"So it seems reasonable to conclude that the curator knew his attacker.† Fache nodded. â€Å"Go on.† â€Å"So if Sauniere knew the person who killed him, what kind of indictment is this?† He pointed at the floor. â€Å"Numeric codes? Lame saints? Draconian devils? Pentacles on his stomach? It's all too cryptic.† Fache frowned as if the idea had never occurred to him. â€Å"You have a point.† â€Å"Considering the circumstances,† Langdon said,† I would assume that if Sauniere wanted to tell you who killed him, he would have written down somebody's name.† As Langdon spoke those words, a smug smile crossed Fache's lips for the first time all night. â€Å"Precisement,†Fache said. â€Å"Precisement.† I am witnessing the work of a master, mused Lieutenant Collet as he tweaked his audio gear and listened to Fache's voice coming through the headphones. The agent superieur knew it was moments like these that had lifted the captain to the pinnacle of French law enforcement. Fache will do what no one else dares. The delicate art of cajoler was a lost skill in modern law enforcement, one that required exceptional poise under pressure. Few men possessed the necessary sangfroid for this kind of operation, but Fache seemed born for it. His restraint and patience bordered on the robotic. Fache's sole emotion this evening seemed to be one of intense resolve, as if this arrest were somehow personal to him. Fache's briefing of his agents an hour ago had been unusually succinct and assured. I know who murdered Jacques Sauniere, Fache had said. You know what to do.No mistakes tonight. And so far, no mistakes had been made. Collet was not yet privy to the evidence that had cemented Fache's certainty of their suspect's guilt, but he knew better than to question the instincts of the Bull. Fache's intuition seemed almost supernatural at times. God whispers in his ear, one agent had insisted after a particularly impressive display of Fache's sixth sense. Collet had to admit, if there was a God, Bezu Fache would be on His A-list. The captain attended mass and confession with zealous regularity – far more than the requisite holiday attendance fulfilled by other officials in the name of good public relations. When the Pope visited Paris a few years back, Fache had used all his muscle to obtain the honor of an audience. A photo of Fache with the Pope now hung in his office. The Papal Bull, the agents secretly called it. Collet found it ironic that one of Fache's rare popular public stances in recent years had been his outspoken reaction to the Catholic pedophilia scandal. These priests should be hanged twice! Fache had declared. Once for their crimes against children.And once for shaming the good name of theCatholic Church.Collet had the odd sense it was the latter that angered Fache more. Turning now to his laptop computer, Collet attended to the other half of his responsibilities here tonight – the GPS tracking system. The image onscreen revealed a detailed floor plan of the Denon Wing, a structural schematic uploaded from the Louvre Security Office. Letting his eyes trace the maze of galleries and hallways, Collet found what he was looking for. Deep in the heart of the Grand Gallery blinked a tiny red dot. La marque. Fache was keeping his prey on a very tight leash tonight. Wisely so. Robert Langdon had proven himself one cool customer. CHAPTER 9 To ensure his conversation with Mr. Langdon would not be interrupted, Bezu Fache had turned off his cellular phone. Unfortunately, it was an expensive model equipped with a two-way radio feature, which, contrary to his orders, was now being used by one of his agents to page him. â€Å"Capitaine?† The phone crackled like a walkie-talkie. Fache felt his teeth clench in rage. He could imagine nothing important enough that Collet would interrupt this surveillance cachee – especially at this critical juncture. He gave Langdon a calm look of apology. â€Å"One moment please.† He pulled the phone from his belt and pressed the radio transmission button. â€Å"Oui?† â€Å"Capitaine, un agent du Departement de Cryptographie est arrive.† Fache's anger stalled momentarily. A cryptographer? Despite the lousy timing, this was probably good news. Fache, after finding Sauniere's cryptic text on the floor, had uploaded photographs of the entire crime scene to the Cryptography Department in hopes someone there could tell him what the hell Sauniere was trying to say. If a code breaker had now arrived, it most likely meant someone had decrypted Sauniere's message. â€Å"I'm busy at the moment,† Fache radioed back, leaving no doubt in his tone that a line had been crossed. â€Å"Ask the cryptographer to wait at the command post. I'll speak to him when I'm done.† â€Å"Her,†the voice corrected. â€Å"It's Agent Neveu.† Fache was becoming less amused with this call every passing moment. Sophie Neveu was one of DCPJ's biggest mistakes. A young Parisian dechiffreuse who had studied cryptography in England at the Royal Holloway, Sophie Neveu had been foisted on Fache two years ago as part of the ministry's attempt to incorporate more women into the police force. The ministry's ongoing foray into political correctness, Fache argued, was weakening the department. Women not only lacked the physicality necessary for police work, but their mere presence posed a dangerous distraction to the men in the field. As Fache had feared, Sophie Neveu was proving far more distracting than most. At thirty-two years old, she had a dogged determination that bordered on obstinate. Her eager espousal of Britain's new cryptologic methodology continually exasperated the veteran French cryptographers above her. And by far the most troubling to Fache was the inescapable universal truth that in an office of middle-aged men, an attractive young woman always drew eyes away from the work at hand. The man on the radio said,† Agent Neveu insisted on speaking to you immediately, Captain. I tried to stop her, but she's on her way into the gallery.† Fache recoiled in disbelief. â€Å"Unacceptable! I made it very clear – â€Å" For a moment, Robert Langdon thought Bezu Fache was suffering a stroke. The captain was mid- sentence when his jaw stopped moving and his eyes bulged. His blistering gaze seemed fixated on something over Langdon's shoulder. Before Langdon could turn to see what it was, he heard a woman's voice chime out behind him. â€Å"Excusez-moi, messieurs.† Langdon turned to see a young woman approaching. She was moving down the corridor toward them with long, fluid strides†¦ a haunting certainty to her gait. Dressed casually in a knee-length, cream-colored Irish sweater over black leggings, she was attractive and looked to be about thirty. Her thick burgundy hair fell unstyled to her shoulders, framing the warmth of her face. Unlike the waifish, cookie-cutter blondes that adorned Harvard dorm room walls, this woman was healthy with an unembellished beauty and genuineness that radiated a striking personal confidence. To Langdon's surprise, the woman walked directly up to him and extended a polite hand.† Monsieur Langdon, I am Agent Neveu from DCPJ's Cryptology Department.† Her words curved richly around her muted Anglo-Franco accent. â€Å"It is a pleasure to meet you.† Langdon took her soft palm in his and felt himself momentarily fixed in her strong gaze. Her eyes were olive-green – incisive and clear. Fache drew a seething inhalation, clearly preparing to launch into a reprimand. â€Å"Captain,† she said, turning quickly and beating him to the punch, â€Å"please excuse the interruption, but – â€Å" â€Å"Ce n'est pas le moment!† Fache sputtered. â€Å"I tried to phone you.† Sophie continued in English, as if out of courtesy to Langdon. â€Å"But your cell phone was turned off.† â€Å"I turned it off for a reason,† Fache hissed. â€Å"I am speaking to Mr. Langdon.† â€Å"I've deciphered the numeric code,† she said flatly. Langdon felt a pulse of excitement. She broke the code? Fache looked uncertain how to respond. â€Å"Before I explain,† Sophie said,† I have an urgent message for Mr. Langdon.† Fache's expression turned to one of deepening concern. â€Å"For Mr. Langdon?† She nodded, turning back to Langdon. â€Å"You need to contact the U. S. Embassy, Mr. Langdon. They have a message for you from the States.† Langdon reacted with surprise, his excitement over the code giving way to a sudden ripple of concern. A message from the States? He tried to imagine who could be trying to reach him. Only a few of his colleagues knew he was in Paris. Fache's broad jaw had tightened with the news. â€Å"The U. S. Embassy?† he demanded, sounding suspicious. â€Å"How would they know to find Mr. Langdon here?† Sophie shrugged. â€Å"Apparently they called Mr. Langdon's hotel, and the concierge told them Mr. Langdon had been collected by a DCPJ agent.† Fache looked troubled. â€Å"And the embassy contacted DCPJ Cryptography?† â€Å"No, sir,† Sophie said, her voice firm. â€Å"When I called the DCPJ switchboard in an attempt to contact you, they had a message waiting for Mr. Langdon and asked me to pass it along if I got through to you.† Fache's brow furrowed in apparent confusion. He opened his mouth to speak, but Sophie had already turned back to Langdon. â€Å"Mr. Langdon,† she declared, pulling a small slip of paper from her pocket,† this is the number for your embassy's messaging service. They asked that you phone in as soon as possible.† She handed him the paper with an intent gaze. â€Å"While I explain the code to Captain Fache, you need to make this call.† Langdon studied the slip. It had a Paris phone number and extension on it. â€Å"Thank you,† he said, feeling worried now. â€Å"Where do I find a phone?† Sophie began to pull a cell phone from her sweater pocket, but Fache waved her off. He now looked like Mount Vesuvius about to erupt. Without taking his eyes off Sophie, he produced his own cell phone and held it out. â€Å"This line is secure, Mr. Langdon. You may use it.† Langdon felt mystified by Fache's anger with the young woman. Feeling uneasy, he accepted the captain's phone. Fache immediately marched Sophie several steps away and began chastising her in hushed tones. Disliking the captain more and more, Langdon turned away from the odd confrontation and switched on the cell phone. Checking the slip of paper Sophie had given him, Langdon dialed the number. The line began to ring. One ring†¦ two rings†¦ three rings†¦ Finally the call connected. Langdon expected to hear an embassy operator, but he found himself instead listening to an answering machine. Oddly, the voice on the tape was familiar. It was that of Sophie Neveu. â€Å"Bonjour, vous etes bien chez Sophie Neveu,† the woman's voice said. â€Å"Je suis absenle pour le moment, mais†¦Ã¢â‚¬  Confused, Langdon turned back toward Sophie. â€Å"I'm sorry, Ms. Neveu? I think you may have given me – â€Å" â€Å"No, that's the right number,† Sophie interjected quickly, as if anticipating Langdon's confusion.† The embassy has an automated message system. You have to dial an access code to pick up your messages.† Langdon stared. â€Å"But – â€Å" â€Å"It's the three-digit code on the paper I gave you.† Langdon opened his mouth to explain the bizarre error, but Sophie flashed him a silencing glare that lasted only an instant. Her green eyes sent a crystal-clear message. Don't ask questions. Just do it. Bewildered, Langdon punched in the extension on the slip of paper: 454. Sophie's outgoing message immediately cut off, and Langdon heard an electronic voice announce in French: â€Å"You have one new message.† Apparently, 454 was Sophie's remote access code for picking up her messages while away from home. I'm picking up this woman's messages? Langdon could hear the tape rewinding now. Finally, it stopped, and the machine engaged. Langdon listened as the message began to play. Again, the voice on the line was Sophie's. â€Å"Mr. Langdon,† the message began in a fearful whisper. â€Å"Do not react to this message. Just listen calmly. You are in danger right now. Follow my directions very closely.†

Harnessing the Science of Persuasion Article Critique/Analysis

Harnessing the Science of Persuasion Article Critique/Analysis I chose to critique the article â€Å"Harnessing the Science of Persuasion† by Robert B. Cialdini. As an undergraduate I was planning on a profession in the medical field, and I enjoy exploring how the science and business worlds correlate. In this article, Cialdini describes six scientific/psychological factors that contribute to enhancing one’s ability to increase influence on others. I interpret that pure motives are the main success factor in building influence at the underlying theme of Cialdini’s principles. I can only be as persuasive as I am sincere in my desires to know, and help others. In this paper I will overview some of the principles that Cialdini presents, and apply them to my strategy for my personal, and professional advancement. Liking/Similarity Though the conscious mind may seek diversity, there is an undeniable human behavioral trait to associate with people who are â€Å"like me†. At first glance this principle suggests that we should stick to doing business with people who look, act, believe similarly to how we do and avoid other people because we will not be successful with them. I feel that I have always had an ability to relate to people, whether it is in line at a Motley Crew concert, or in an executive meeting. I believe that humans are more similar than different. The skill is identifying common ground quickly in interactions, because everyone is in a hurry. I have attempted and will continue to apply this principal in my business interactions by showing a little personality in the first few seconds that I interact with my customers. The trick is to do this without being perceived as smug or an apathetic. I can say a quick line from a song that is stuck in my head, and say â€Å"sorry I’ll try to focus better throughout the remainder of this transaction;† or asking a detailed question about a project that the customer is working on. It is important to adjust the tone, and etiquette to the person, and situation that is presented. I have found that when the person that I joked around with comes back, they seek me out to help them more often than not. Like all of Cialdini’s principles these techniques ill only work if I am sincerely interested in the person that I’m interacting with. Humans are very skilled at detecting apathy, so if I have to fake it, it’s better to not to try. Consistency/Commitment I am a pretty witty, creative guy, as such I am fairly successful with the principle of liking/similarity as stated above. I honestly struggle with the principle of consistency. Consistency, as discussed by Cialdini, describes influencing others to firmly commit to do what you desire of them. This principle is mostly applicable in my interactions with my co-workers. I place such a high emphasis on relationships with people that I often leave the opportunity open to be taken advantage of. I have many responsibilities that go unaccomplished if I consistently do the job of a co-worker. In today’s business culture, hierarchal flowcharts are decreasing in authoritative efficacy, and behavior is influenced more strongly by persuasion skills. Getting people to buy in and commit to it because it is in the best interest of the customer, the company, and the person you are trying to convince is the goal of consistency. There are levels of commitment. A person can mentally commit, verbally commit to the issuer of the request, or publicly commit in front of peers. Each increased level of commitment results in higher likelihood that the person will keep their word. The challenge in applying this principle for me is to not come across as overbearing, or not willing to lead by example. I will apply this principle by discussing with my co-workers their desires to do a good job. I will ask those whom I direct to explain their thoughts about how we should best serve our customers, and apply their suggestions as best I can to procedural changes. I will also better describe the process from the perspective of people who work primarily inside the store, so that we can all better understand and assist each other. The success of consistency, perhaps even more so than the principle of liking, is dependent on motives. If it is perceived that you are more interested in throwing your authority around than working for the common good, resentment and non-compliance will result. I will avoid resentment by expressing sincere gratitude, and praise for a job well done. I will also show a willingness to go outside, and help when appropriate. I have read a few articles about enhancing persuasion in business, and to be honest, most of them come across as phony ways to trick people to do what you want. Cialdini certainly has some elements of convincing people that they want to do what you desire, but he introduces the idea that these techniques only really work if you have pure motives. I really like the idea that being an effective/persuasive leader starts with being an honest/authentic person.

Marketing Dunkin Donuts Essay

Dunkin Donuts builds long term customer relationships by being consistent with their marketing strategy. They have maintained an everyday value since they opened their doors fifty years ago. They have met their customers’ expectations by not changing recipes. The coffee tastes the same no matter what store you go into. Dunkin Donuts also has a lengthy training class so they can maintain their quality in the kitchen as well as customer service. Dunkin Donuts maintains customer relations by fully meeting the customers’ expectations. When a customer enters a store they know exactly what to expect, no surprises or disappointments. Dunkin Donuts value proposition is value and quality. Dunkin Donuts has always made their products a value. Starbucks has the expensive coffee; Dunkin Donuts has the value coffee. Dunkin Donuts has also maintained their quality as well. They have kept the same ingredients and recipes; everything tastes the same as fifty years ago. By maintain the quality and value the customer knows exactly what to expect when he or she walks through the door. Dunkin Donuts is growing its share of customers. Dunkin Donuts has maintained its coffee and donuts, but has also grown with the times to gain more customers. Dunkin Donuts now offers a variety of coffee drinks such as cappuccinos and iced coffees. The company also sells breakfast sandwiches and cookies too. The coffee is mostly what keeps customers coming back for more, but now there is more of a variety to please everyone.

McCann, Let The Great World Spin Essay Example | Topics and Well Written Essays - 500 words

McCann, Let The Great World Spin - Essay Example In the opening lines of the novel itself, there is a blunt reference to the twin tower attack, and the first view of the novelist’s fictional world that the reader gets, is the people in the New York city streets, watching upwards, tilting their heads, which has a premonition-like resemblance to the images that were flashed on television, years later, when the twin towers fell. Corrigan’s blind faith is the ideology that sets the tone of the novel. So it becomes easy for one of the protagonists (Corrigan’s brother) to say that â€Å"he never rejected the world† (McCann, 20). Such a conforming posture before the vices and miseries of the world is also in conformity with the way, America handled the ‘war on terrorism’. The hope expressed in the novel had no connection with the realities of the people of Afghanistan or Iraq. What happened in the twin tower incident was repeated by America a million times in these countries, which took away the mo ral right of the nation to preach hope and peace. And in the novel, whenever the war is mentioned, the propagator of the war is explicitly absent, as if war was a natural disaster. This is why the novelist, in almost all his sentences, makes war the grammatical ‘subject’, and not the object of action by another subject. For example, one of the narrators is heard to say, â€Å"the war kicked in, and she got all messed up in it† (McCann, 49). When one of the protagonists says, â€Å"this was not the America that I expected†, he was referring to the dark ghettos of South Bronx, but by placing, Corrigan, the Christ look alike, in those ghettos, a virtual kind of solution is offered by the novel (McCann, 32). Throughout the book, one is reminded that though reaching out to the victims is a good deed, preventing victimization is far more difficult a task, of which every one wants to shed responsibility. The puritan approach of the novelist is evident from the